Sound Art and Pandemic: A Documentary Soundscape
DOI:
https://doi.org/10.46522/S.2022.S1.4Kulcsszavak:
sound artAbsztrakt
The pandemic has temporarily changed our lives; there is no doubt that we are rapidly moving into a digital and virtual society; however, we so far do not know when this change will end, despite the emergence of post-pandemic terminology. Sound art is a form of art that has developed across disciplines since its emergence to contemporary times. And as a soundscape, what can be recorded during a pandemic, and as a composite of music and sound, can sound art be used as a digital archive during a pandemic? This paper hopes to explore the possibilities of sound art as an archive through artistic practice, reflecting on the changes and flows of soundscapes in the context of the pandemic.
Hivatkozások
BARTALUCCI, C., BELLOMINI, R., LUZZI, S., PULELLA, P. and TORELLI, G., 2021. A survey on the soundscape perception before and during the COVID-19 pandemic in Italy. Noise Mapping, 8(1), pp.65–88.
BOŠKIĆ, N. and HAUSKNECHT, S., 2021. Reshaping the educational landscape: During and after the COVID 19 pandemic. Inovacije u nastavi, 34(4), pp.36–50.
BOTELLA, Nicolás, A.M., 2019. El paisaje sonoro como Arte Sonoro. Cuadernos de Música, Artes Visuales y Artes Escénicas, 15(1), pp.112–125.
COBUSSEN, M.A., 2019. Sound, soundscapes, and sound art. [online] Handle.net. Available at: https://hdl.handle.net/1887/3249363 [Accessed 24 Mar. 2022].
DUMITRU, Ș.M., 2021. Forced digitization due to the global pandemic. Proceedings of the International Conference on Business Excellence, 15(1), pp.1243–1250.
GIBSON, C., CARR, C., LYONS, C., TAKSA, L. and WARREN, A., 2021. COVID‐19 and the shifting industrial landscape. Geographical Research.
HOFER, S., 2014. “Atomic” Music: Navigating experimental electronica and sound art through microsound. Organised Sound, 19(3), pp.295–303.
LENZI, S., SÁDABA, J. and LINDBORG, P., 2021. Soundscape in Times of Change: Case Study of a City Neighbourhood During the COVID-19 Lockdown. Frontiers in Psychology, 12.
LI, C., LIU, Y. and HAKLAY, M., 2018. Participatory soundscape sensing. Landscape and Urban Planning, 173, pp.64–69.
MANDALAKI, E. and DAOU, E., 2020., (Dis)embodied encounters between art and academic writing amid a pandemic. Gender, Work & Organization.
PARDO, C., 2017. The Emergence of Sound Art: Opening the Cages of Sound. The Journal of Aesthetics and Art Criticism, 75(1), pp.35–48.
SNELS, J., 2021. Virtual connectedness in times of crisis: Chinese online art exhibitions during the COVID-19 pandemic. World Art, pp.1–24.
WADLEY, S.S., 2021. Two Mithila Artists Respond to Modi’s COVID‐19 Lockdown in 2020. Anthropology and humanism.
Downloads
Megjelent
Hogyan kell idézni
Folyóirat szám
Rovat
License

This work is licensed under a Creative Commons Attribution 4.0 International License.
A CC-BY engedélyezi a sokszorosítást, terjesztést, archiválást és idézést, feltéve, hogy a szerzőket feltüntetik. A cikk teljes idézése szükséges, amely az ezen az oldalon található Idézési példák között található. Ha lehetséges, kérjük, adja meg a linket erre a honlapra. A szerzői jog a szerzőket illeti.

