„Teatrul nu este o formă democratică” – dar facultățile de teatru?

Szerzők

  • Kinga Boros

DOI:

https://doi.org/10.46522/S.2024.01.11

Kulcsszavak:

inclusion, meritocracy, misfitting, disabled theatre

Absztrakt

Theatre is not Democratic. What About Theatre Universities?
The paper aims to be a reflection on the possibilities of theater faculties to increase the level of inclusion in their institution, and by that, indirectly in theater and in society in general. Art can be an important factor of social change; artistic freedom comes with responsibilities: we can use the power of art to promote a more inclusive and fair society. Being a teaching staff member at a university where acting, puppetry, directing, theatrology, scenography and choreography classes are organized, these specializations are the ones I have in mind and to which I refer. The examination starts from the Romanian theatre system, respectively from the extent to which the art of theatre itself is inclusive, of the possibilities offered by the theater to people with disabilities, with learning difficulties or from disadvantaged backgrounds, and proposes the hypothesis of the change of mentality catalyzed by the faculties of theater as places where future theater practitioner students can be sensitized.

Hivatkozások

BABARCZY, László,1989. A színház nem demokratikus intézmény. Színház, 2/1989.

BOAL, Augusto, 2008. Theatre of the Oppressed. London: Pluto Press.

CZYŻEWSKA, Alina, 2019. ‘There Is No Democracy in Theatre.’ Seriously?. Polish Theatre Journal, 1-2.

CONNOLLY, Maureen și CRAIG, Tom, 2005. Disrupting a Disembodied Status Quo. Invisible Theater as Subversive Pedagogy. In (ed.) SANDAHL, Carrie și AUSLANDER, Philip, 2005. Bodies in commotion: Disability and performance. Ann Arbor: University of Michigan Press.

GARLAND-THOMSON Rosemarie, 2014. The Story of My Work: How I Became Disabled. In Growing Disability Studies, 2014, Vol. 34 No. 2. [Accesat 14 aprilie 2024] Disponibil la: https://dsq-sds.org/article/view/4254/3594

JOHNSTON, Kirsty, 2016. Disability Theatre and Modern Drama. Recasting Modernism. London: Bloomsbury.

KOVICH, Andrea, 2019. Disability, Identity, and Representation. Notes from a Dramaturg. [Accesat 14 aprilie 2024] Disponibil la: https://howlround.com/disability-identity-and-representation

KUPPERS, Petra, 2001. ”Deconstructing Images: Performing Disability.” In Contemporary Theatre Review, 2001, Vol. 11, Part 3+4.

MANEA, Livius, 2016. Accesul la educație a tinerilor cu dizabilități în România, cu focalizare pe învățământul secundar superior, vocațional și universitar. [Accesat 14 aprilie 2024] Disponibil la: https://www.reninco.ro/images/studiicomplementare/Accesul%20la%20educatie%20a%20tinerilor%20cu%20dizabilitati%20in%20Romania,%202016.compressed.pdf

UMATHUM, Sandra și WIHSTUTZ, Benjamin, (ed.). 2015. Disabled Theatre. Zürich: diaphanes.

*** The Rainbow Harp [Accesat 14 aprilie 2024] Disponibil la: https://www.rainbowharp.co.uk/

Megjelent

2024-07-23

Hogyan kell idézni

Boros, K. (2024) „»Teatrul nu este o formă democratică« – dar facultățile de teatru?”, Symbolon, 25(1 (46), o. 129–135. doi: 10.46522/S.2024.01.11.