Trois jours d’Atelier avec Patrice Pavis
DOI:
https://doi.org/10.46522/S.2021.01.01Keywords:
theory, actors' performanceAbstract
Three Workshop Days with Patrice Pavis
The meeting with Patrice Pavis provided the occasion for a complex reflection on the need to include into a totalizing vision of theory and practice, the need to revisit certain notions perceived as a synthesis of knowledge and a guide for a praxis. The article also mentions a series of other aspects, regarded as particularly important for working with actors, such as the literary analysis of the text, the quality of a play's translation, which should favor its sonorous and actantial dimension, but also the notion of "verbo-corps”, which captures the essence of the actor's presence and performance on stage and which can also be a guide for the translator.
References
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PAVIS, Patrice, 1990. Le Théâtre au croisement des cultures, Paris : Éditions Corti.
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