« Ubu roi », entre le secret et la confession
Kulcsszavak:
SecretAbsztrakt
“King Ubu”, Between Secret and Confession
Long after December 10, 1896, date of the outrageous premiere of “Ubu Roi” at the Théâtre de L´Œuvre in Paris, the circumstances that made Alfred Jarry the author of this play, whose proto-version, “Les Polonais”, didn´t certainly belong to him, are still mysterious. Our paper addresses the topic of the “secret of origins” (quoting Sylvain-Christian David´s book title) of “Ubu Roi”, trying to expose some levels in which the concealment of origins is present, along with discursive breaches through which confession breaks out.
Hivatkozások
ARNAUD, NOËL, 1974. Alfred Jarry. D´Ubu Roi au Docteur Faustroll, Paris. La Table ronde.
ARNAUD, NOËL, 1986. « Jarry à son ombre même », Revue des Sciences Humaines, no. 203, 97-125.
BEAUMONT, KEITH, 1984. Alfred Jarry. A Critical and Biographical Study, Leicester: Leicester University Press.
BESNIER, PATRICK, 2005. Alfred Jarry, Paris: Fayard.
DAVID, SYLVAIN-CHRISTIAN. 2003, Alfred Jarry, le secret des origines, Paris: Presses Universitaires de France.
DUCASSE, ISIDORE (Comte de Lautréamont), 1990. Les Chants de Maldoror, Poésies I et II, Correspondance, Paris : Flammarion.
JARRY, ALFRED, 1972. Œuvres complètes I, Paris : Gallimard, bibliothèque de la Pléiade.
JARRY, ALFRED, 2000. Ubu Roi, Paris: Pocket.
MAUCLAIR, CAMILLE, 1922. Servitude et grandeur littéraire, Paris : Ollendorff.
SHATTUCK, ROGER, 1974. Les Primitifs de l´avant-garde, Paris, Flammarion.
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