With the "Magic Flute" in Pandemic

Authors

  • Mirela Târc

DOI:

https://doi.org/10.46522/S.2022.S1.3

Keywords:

W. A. Mozart, contemporary staging vision

Abstract

The paper invite to a reflection on one of the most current themes, namely, opera performance in the pandemic.  One of Tompa Gábor's recent directorial performances of W. A. Mozart 's Magic Flute saw the limelight in October 2020 on the stage of the Hungarian Opera in Cluj-Napoca. Interpreted in a contemporary key, the stage representation proposes a new vision on the future of a young couple in love in a chaotic, deceptive, labyrinthine world, dominated by profit, manipulation and temptations, in which the truth is relative and the value replaced by its simulacrum.  A universe of meanings adapted to the immediate reality in which, more than ever, we intuit, we even feel the strings with which the puppeteers of this world force us to play according to their own interest.

References

ASSMANN, Moses, 2005. Die Zauberflöte, Oper und Mysterium. Carl Hanser Verlag.

BERK M. F. M. van den, 2004. Die Zauberflöte: An Alchemical Allegory. Brill Academic Pub, Har/ Com Edition.

BUGA, Ana, SÂRBU, Cristina Maria, 1999. 4 secole de teatru muzical. București: Editura Style.

CONSTANTINESCU Grigore, CARAMAN-FOTEA Daniela, SAVA, Iosif, 1971. Ghid de opera. București: Editura Muzicală.

DEB, Richard,2007. What’s a Christian to Do with The Magic Flute? Masons, Mysticism and Misogyny in Mozart`s Latest Opera. Dallas Baptist University, The Friday Symposium, https://www3.dbu.edu/naugle/pdf/FridaySymposiumSp04/Magic_Flute.pdf.

ECKELMEYER, Judith, 2005 A. Mozart's Magic Flute: https://www.mozartsroses.com/magic-flute-overview-essay.html. Overview and an Interpretation.

GRATTAN-GUINNESS, I. 1992. Counting the Notes: Numerology in the Works of Mozart, Especially Die Zauberflöte. Annals of Science n.49, Taylor &Francis.

POPA, Costin, 2020, Deschiderea stagiunii la Opera Maghiară din Cluj, în revista Actualitatea Muzicală nr.11/2020 p.22-23, București: Editura Muzicală. http://www.cimec.ro/Muzica/Cronici/CostinPopa479.html.

KISS Judith 2020,29.09. –„Nem PC” A varázsfuvola Tompa Gábor rendezésében a kolozsvári operában (Ezt a cikket a Krónikáról másolták) [Not a PC, the Magic Flute directed by Tompa Gábor to Hungarian Opera Cluj -Napoca] Kronika on line: https://kronikaonline.ro/kultura/bnem-pcr-a-varazsfuvola-tompa-Gábor-rende zeseben-a-kolozsvari-operaban).

KISS Judith, 2020, 4.10. Applause at the Premiere of The Magic Flute at the Hungarian Opera in Cluj Napoca. Kronika on line https://kronikaonline.ro/kultura/vastaps-a-varazsfuvola-premierjen-a-kolozsvari-magyar-operaban#.

KOENIGSBERGER Dorothy, 1975. A New Metaphor for The Magic Flute. in European Studies Review, 5, 229-275.

MARIN, Iulia, 2017.31.05. Timothy Williamson: The Post-truth is a Disrespect for the Truth. Press One, on line accessed in 15.02. 2021 https://pressone.ro/timothy-williamson-profesor-la-oxford-post-adevarul-este-lipsa-de-respect-fata-de-adevar.

NEUMANN, Ernst, 1953. Zur Psychologie, in Esther Doughty English translation in Quadrant journal of the C. G. Jung Foundation for Analytical Psychology, 2 1978/ 5-32.

PENCIUC Traian. Straturi ale interpretării operei Flautul fermecat, [Layers of Interpretation in the Opera “Magic Flute”] Symbolon, nr XVI/129 p.69-85.

RAPOȚAN, Nona, 2020,4.10., Când flautul farmecă și cei mai exigenți melomani, [When the Flute Charms Even the Most Demanding Music Lovers] Bookhub, https://bookhub.ro/cand-flautul-farmeca-si-cei-mai-exigenti-melomani/.

ȘORBAN, Elena, Maria, 2014. Noi și istoria muzicii. Permanențe creative. Cluj-Napoca: Eikon.

ȘTEFĂNESCU, Ioana, 2002. O istorie a muzicii universale, Vol.IV, București: Editura Fundației Culturale Române.

TILL Nicholas, 1995, Mozart and the Enlightenment, Truth, Virtue and Beauty in Mozart’s Opera, New York: WW Norton & Comp.

Downloads

Published

2022-09-21

How to Cite

Târc, M. (2022) “With the ‘Magic Flute’ in Pandemic”, Symbolon, 23(Special), pp. 25–35. doi: 10.46522/S.2022.S1.3.