Adevăr, libertate și speranță
DOI :
https://doi.org/10.46522/S.2023.01.6Mots-clés :
symbols, metaphor, theater, playwright, hopeRésumé
Truth, Freedom and Hope
Romulus Guga's plays are open to politics and the leitmotif of his plays is freedom, good versus evil and the affirmation of dignity. He believed that the playwright is born through the performance and dramaturgy is a collective work.
„Hope Does not Die at Dawn” is the first play by a local Romanian author presented on the Târgu Mureș stage. Its opening at the National Theater in Târgu Mureș took place on March the 31st, 1973, on the occasion of World Theater Day.
At the Piatra Neamț Youth Theater Show Festival, the most prestigious theatrical event of the era, "Hope Does not Die at Dawn” was crowned with the “Grand Prize for the show”, the “Male Performance Award” (Florin Zamfirescu), "Female Performance Award” (Lucia Boga), and "Honorary Diploma for Directing” (Dan Micu).
This paper aims to analyse the tense relationship between censorship during communism, the plays, how they were staged, and the hidden language understood only by the artists and the audience. Romulus Guga’s play is set as an example of the way quality performances were met with critical acclaim in the era, despite political censorship.
Références
BĂCIUȚ, Nicolae, 1981. În revista Echinox nr. 4/5, 24 februarie
BLAGA, Laurențiu, 2012, Guga, Tg.Mureș, UArtPress
COCORA, Ion, 1982. Privitor ca la teatru III. Cluj-Napoca: Ed. Dacia.
FLOREA, Ioana, 1997. Interviu cu Florin Zamfirescu, în Teatru-azi, nr.1-2
GUGA, Romulus, 1973. În Caietul program al spectacolului Evul mediu întâmplător, editat de Teatrul Național Târgu-Mureș.
GUGA, Romulus, 1984.Speranța nu moare în zori, în Evul mediu întâmplător :piese de teatru și comentarii asupra lor, seria: Teatru comentat. București: Eminescu.
FODOR, Zeno, Teatrul Românesc la Târgu-Mureș, noiembrie 2002 editata de Teatrul Național Târgu-Mureș.
SILVESTRU, Valentin, Condiția dramaturgului român contemporan, Colocviul Vetrei, Vatra, an XI, nr. 3 (144), 20 martie 1983.
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