Nouvelles formes performatives dans les pratiques anciennes : Le symposion grec en tant que « mise en perf » . Synesthésie, espace sympotique et performance
DOI:
https://doi.org/10.46522/S.2021.01.04Cuvinte cheie:
theatricalityRezumat
New Performative Forms in Ancient Practices: The Greek Symposion as “mise en perf” . Synesthaesia, Sympotic Space and Performance
The Greek symposion was an all-male drinking celebration that included wine consumption, love, games, philosophical conversation, and live performance by both the symposiasts and by professional artists. Using the terms “performise” and “mise en perf,” coined by Patrice Pavis, this article explores how new performative forms can be found in ancient practices and, more specifically, within the cultural performance that was the Greek symposion. These two terms encompass both the performative and the theatrical character of the symposion that can both be traced through the study of its specific ritual and of sympotic space (the dining room dedicated exclusively to the symposion). In this way, a reinterpretation of this ancient social and cultural event will be provided through the lens of Theatre Studies and Performance Theory.
Referințe
ARTAUD, Αntonin, 2003. « Le théâtre de la cruauté (Premier manifeste) ». En : Le Théâtre et son double [1938], Paris : Gallimard, p. 137-155.
DAVIDSON, James, 1997. Courtesans and Fishcakes: The Consuming Passions of Classical Athens, London: Harper Collins.
DUPONT, Florence, 1977. Le Plaisir et la loi : du «Banquet» de Platon au « Satiricon », Paris : F. Maspero.
FÉRAL, Josette, 2002. “Foreword”. SubStance, numéro spécial “Theatricality”, 31/2&3, p. 3–13.
GOLDBERG, RoseLee, 2001. Performance Art: From Futurism to the Present, II-ème edition. London : Thames & Hudson.
MURRAY, Oswyn, 1990. “Sympotic History”. En : MURRAY, Oswyn (éd.). Sympotica: A Symposium on the Symposium, Oxford : Clarendon Press/New York : Oxford University Press, p. 3-13.
PAVIS, Patrice, 2010. La Mise en scène contemporaine : Origines, tendances, perspectives, II-ème edition. Paris : Armand Colin (Coll. « U »).
PELLIZER, Ezio, 1990. “Outlines of a Morphology of Sympotic Entertainment”. En : MURRAY, Oswyn (éd.). Sympotica: A Symposium on the Symposium, Oxford : Clarendon Press/New York : Oxford University Press, p. 177-183.
ROSSI, Luigi Enrico, 1983. « Il simposio greco arcaico e classico come spettacolo a se stesso ». En : DOGLIO, Federico et al. (éd.) 1983. Spettacoli conviviali dall'antichità classica alle corti italiane del'400: atti del VII Convegno di Studi, Centro di studi sul teatro medioevale e rinascimentale (Viterbo, 27-30 maggio 1982), Viterbo : Tipolitografia Agnescotti, p. 41-50.
ROTHWELL, Kenneth Sprague, 2007. Nature, Culture, and the Origins of Greek Comedy: A Study of Animal Choruses, Cambridge : Cambridge University Press.
SCHECHNER, Richard, 2013. Performance Studies: An Introduction, III-ème edition. London/New York : Routledge.
SCHMITT PANTEL, Pauline, 1990. “Sacrificial Meal and symposion: Two Models of Civic Institutions in the Archaic City?”. En : MURRAY, Oswyn (éd.). Sympotica: A Symposium on the Symposium, Oxford : Clarendon Press/New York : Oxford University Press, p. 14-36.
SCHMITT PANTEL, Pauline, 1985. « Banquet et cité grecque ». Mélanges de l'École française de Rome. Antiquité, 97/1. 1985, p. 135-158.
SHREM, Max, 2016. “Gourmand Trickery and Grimod de La Reynière’s Supper of 1783”. p-e-r-f-o-r-m-a-n-c-e, 3/1-2, printemps-automne 2016. [consulté le 26 mai 2020]. Disponible à l’adresse : http://www.p-e-r-f-o-r-m-a-n-c-e.org/?p=2646#_ftn5
STOURNA, Athena, 2018. “Banquet Performance Now and Then: Commensal Experiments and Eating as Mise en Scène”. Platform, numéro spécial “Feasting”, 12/1, printemps 2018, p. 10-31.
VERNANT, Jean-Pierre, 1979. « À la table des hommes. Mythe de fondation du sacrifice chez Hésiode ». En : DÉTIENNE Marcel et VERNANT, Jean-Pierre, (éd.). La Cuisine du sacrifice en pays grec, Paris : Gallimard, p. 37-132.
WECOWSKI, Marek, 2014. The Rise of the Greek Aristocratic Banquet, Oxford/New York : Oxford University Press.
WILES, David, 2003. A Short History of Western Performance Space, Cambridge : Cambridge University Press."
Descărcări
Publicat
Cum cităm
Număr
Secțiune
Licență
Această lucrare este licențiată în temeiul Creative Commons Attribution 4.0 International License.
Articolul este publicat sub o licență CC BY Creative Commons Attribution 4.0 International License,care permite reproducerea, distribuirea, arhivarea și citarea sa cu condiția să menționați autorii. Este obligatorie referința completă către articol care se găsește în rubrica Exemple de citare de pe această pagină. Dacă e posibil, vă rugăm adăugați și link-ul către acest site. Drepturile de copyright aparțin autorilor.