Efectele muzicii asupra psihicului uman
DOI :
https://doi.org/10.46522/S.2022.S1.7Mots-clés :
RenaissanceRésumé
The Effects of Music on the Human Psyche
Music is a complex phenomenon that has accompanied humanity since its inception by adopting multiple forms. The compositional act itself can be defined, in a broad sense, as the processing of a certain musical content springing from the infinite cognitive processing of the individual. In the trials of history on humanity, music receives spiritual valences, becoming an auditory vehicle with strong healing meanings. The first references to the role that music played during an epidemic throughout history can be found during the Renaissance when Europe, especially Italy, was devastated by the plague. The composers inserted in the madrigals and motets of the time different rhetorical figures with reference to the landmark events of the period. What was the purpose of these insertions in the musical material? How can music help us through its own means and methods to cooperate with the negative effects that a global pandemic brings to the sphere of human consciousness?
Références
BECKER, Judith, „Exploing the Habitus of Listening”, în Patrik. N. Juslin și John Sloboda, Handbook of Music and Emotion Theory Research and Applications, Oxford University Press, New York, 2010.
BONDS, Mark, Evan, Absolute Music. A History Idea, Oxford University Press, New York, 2014.
BREAKWELL, Glynis, M., „Identity Process Theory: Clarifications and Elaborations”, în JASPAL, Rusi, BREAKWELL, Glynis, M., Identity Process Theory, Cambridge University Press, 2014.
CHIU, Remi, Plague and Music in the Renaissance, Cambridge University Press, 2017.
COOK-HUFFMAN, Celia, „The Role of Identity in Conflict”, în SANDOLE, Dennis, J. D., BYRNE Sean, SANDOLE, Ingrid; SENEHI, Jessica, Handbook of Conflict Analysis and Resolution, Routledge, 2009.
JUSLIN, Patrik, N.; TIMMERS, Renee, „Expression and Communication of Emotion in Music Performance” în Patrik N. Juslin and John A. Sloboda, Handbook of Music and Emotion. Theory, Research, Applications, Oxford University Press, New York, 2010.
STETS, Jan, E.; BURKE, Peter, J., Identity Theory and Social Identity Theory, Social Psychology Quaterly, Vol. 63, nr. 3, American Sociological Association, Septembrie, 2000.
Téléchargements
Publiée
Comment citer
Numéro
Rubrique
Licence
Ce travail est disponible sous la licence Creative Commons Attribution 4.0 International .
This work is licensed under a CC BY Creative Commons Attribution 4.0 International License, which permits any use, reproduction, distribution, self-archiving and citation of the work as long as the authors are credited. The complete bibliographical data of Symbolon Journal must also be indicated, which you can find in the How to cite section on this page. If possible, please also place a link leading to the original publication. Copyright of articles belongs to the authors.